Lilia’s path to art began as a search for a way to speak beyond the limits of her body. That journey led her to her early instructor and mentor, who provided formal education and practical training during her secondary school years. Under the guidance of Professor Jason Hopkins (MFA, School of the Art Institute of Chicago), Lilia studied art history, immersed herself in the work of major artists and their influences, and mastered digital software that allowed her to gain visual command of vision-tracking technology. Hopkins writes:
“Her works hearken to abstract expressionists like Pollock and de Kooning, exhibiting a personal, improvisational emotional experience that champions the non-representational through nontraditional means. But unlike her predecessors working in a tactile world, Lilia’s spontaneous action and color-field painting is entirely digital—made not by hand, but by eye. In this way, she subverts the process of hand-eye coordination, ‘willing’ her colors, textures, and patterns into being, pushing pixels around like finger paints in a psychologically more immediate and intimate way. She is a virtual pioneer, championing the liberties of the creative soul while romantically defying disability and torpor.”
Now at the California Institute of the Arts (CalArts), Lilia has found an innovation playground. One of the pillars of the BFA Arts program is to foster an environment where experimentation is not only welcomed but expected. CalArts encourages artists to move freely between disciplines, to question materials, and to imagine new forms for their ideas. Within this creative laboratory, Lilia is extending her abstract language beyond the screen, translating her eye-painted works into textiles, sculpture, installation, and fashion.
Most recently, she presented two solo exhibitions at CalArts, Somatic Configurations and Enchanted Abstract Forest, which explored how her expressive marks transform across mediums such as silk, clay, stained glass, and light. These projects reflect her growing vision: an art practice that is tactile, immersive, and deeply human, inviting audiences to experience color and movement as something to be worn, touched, and lived.
In Somatic Configurations, Lilia displayed a selection of her iconic abstract works on illuminated cube sculptures of varying sizes, transforming the space into a vibrant, ever-shifting installation. Viewers were encouraged to direct their own perception of Lilia’s art by changing the color of the light radiating from each cube. This created an opportunity to explore color and light as tools for emotional reflection. The audience could shift the mood and meaning of the work through these light waves, revealing feelings of warmth, calm, energy, or unease. This sensory regulation echoed the calming techniques Lilia uses during her digital art process, making the exhibit not only meditative but also collaborative, blurring the line between artist and audience.
Enchanted Abstract Forest offered an immersive experience in which each tree became a portal of emotion, memory, and imagination. At its heart was Lilia’s ongoing artistic experiment: a deep exploration of how her expressive abstract art transforms across mediums. Her artwork appeared across silk fabric, clay, stained glass, paper, plastic, and light—each material offering a new lens through which to experience color, texture, and mood.
Towering six-foot metal trees shimmered with twinkle lights, illuminating mulberry silk printed with her vibrant designs. A clay tree sculpture was adorned with stained glass talismans featuring her signature abstract art. Small clay figurines gathered like quiet guardians among the branches and at the tree’s base. Illuminated cubes printed with her artwork cast soft glows, and viewers could change the color scheme with the touch of a button. Footprints on the floor guided visitors deeper into this magical forest where abstraction lives and breathes. Importantly, the exhibit was fully wheelchair accessible, proudly marked with the universal accessibility symbol—reminding us that creativity must be a place where everyone belongs.